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Voigtlander Vito BL - the verdict

Thursday, June 26th, 2008

This may become a two-parter if I receive more entries

Whilst I would dearly love to have had all the entries here there have been delays with some and I have been keen to post those that have were submitted on time (it’s been just over a month since the end of the project date). So there are a couple more people still waiting in the wings with their entries but due to other business have not yet submitted. I hope they do, and if so, you’ll see an update.

Project recap

To answer four questions and submit some photos taken with the Voigtlander Vito BL.

  • 1. What attracted you to the Voigtlander?
  • 2. Do you like using the Voigtlander?
  • 3. How does it compare to other vintage cameras you have used?
  • 4. Do you prefer modern day digital cameras to older film and vintage models?

The idea came about as I’ve had quite a few requests for a scanned copy of the Vito BL manual and it got me thinking as to what these photographers think of its performance and operation.

The Vito BL camera

Perhaps if I extended the project to include other models or to vintage cameras in general I may have had more responses. But that is something I have learned for any future project I may host.

So without further ado:

Photos and verdict by Anthea Brown (me)

aka lilahpops on Flickr

Click on the corresponding link below to see the larger version at Flickr.
1. Green Door in Wall, 2. A statue watering the garden, 3. Lines and lines and lines, 4. In the garden, 5. Another sunny Sunday, 6. Afternoon at the bay

My camera belonged to my father who bought it second-hand in 1959. It’s a solid piece of equipment, totally manual and doesn’t even use batteries. He passed it on to me as my interest in photography grew - it was my first real ‘plunge’ into photography.

It’s fun to use. All the actions are manual, there are no shortcuts. You need to read the lightmeter to set the aperture, to set the shutter speed and then set the distance. Lucky for me, my father also had the rangefinder accessory which helps as it’s easy to make the wrong guess-timation without one.

For me, the most difficult action is interpreting the lightmeter although I recently discovered it doesn’t work as well as it should. I’m having better luck following the Sunny 16 rule.

Do I prefer vintage to digital? It’s a tough call and I still can’t decide. I do love my little digital point-and-shoot camera and aim to buy a DSLR in the near future. I found the Vito BL was a great introduction to learning the basics of photography and move away from automatic settings. I definitely need to improve in recording the various settings I try out as I have usually forgotten these by the time I get the film developed.

Photos and verdict by Zafer Yurtseven

Click on the images below to view a large version.
January 2008 near Eskisehir A night photo taken using a tripod from my living room window Wrong range estimation A bit underexposed A good one - taken in February 2008 in Eskisehir, Turkey
Zafer is from Turkey and here is his experience using the Vito BL:

I found the Vito BL on a local e-auction site like eBay. I am a film camera lover and although I had heard about Voigtlander cameras I had not used one. As it was cheap, I wanted to give it a try. The camera is very well built, very cute and comfortable to handle. But it lacks one major thing, a coupled rangefinder. A lightmeter can be arranged easily but not the rangefinder. If it had one, it would be my favourite camera…

I normally use two film cameras, a Leica M2 and a basic Nikon film camera FM10…

I don’t own a digital SLR as I don’t enjoy digital photography. So as my Leica is nearly 50 years old, Vito BL is not “very vintage” for me. I will keep my Vito BL in my collection but I probably won’t use it much because of the rangefinder problem. Anyway, using a Vito BL was a great experience and thank you very much for your kind help and interest

Photos and verdict by Torfinn Rosfjord

aka xTorfinnx on Flickr
Photographs courtesy of Torfinn Rosfjord aka xTorfinnx

Click on the corresponding link below to see the larger version at Flickr.

1. Tetris 4, 2. Tetris 3, 3. Jæren, 4. Tetris2, 5. Tetris1, 6. Old DDR

Torfinn is from Norway. Here is his response to using the Vito BL:

My grandfather bought it in 1957 when he was in the Norwegian navy and took many pictures from around the world. He gave me this camera when I told him that I was in an 2nd hand store looking for an vintage camera. So that was fun!

All the parts are in original boxes with the receipt :) My grandfather said “I cant understand why you want this old junk when you got all those new cameras that you can just push a button,” but he smiled when I told him that I liked to keep up the tradition, as he did … and when I eventually do a coast to coast roadtrip in the USA I can now use his camera. In a way history repeats itself…

I like this camera and that you don’t really know how the pictures are turning out before you get them processed … I like the vintage look and that I’m getting an experience into how they did it in the “old days” … I have used a Zenite E and a Nikon fm2 before, but I don’t need a rangefinder with those. So is a little more work with the Voigtlander…

I prefer vintage cameras over the modern ones because with digital cameras, almost all you do is press a button and you get a picture … but with vintage cameras it’s a longer process, so you care more about what you take picture of. So I use vintage cameras because it gets a warmer feeling in the pictures. But I do use a small digital camera to preserve some memories as well.

Photos and verdict by Mark Wilson

aka ihageefanatic on Flickr

Click on the corresponding link below to see the larger version at Flickr.
1. Lonely Wait, 2. Shadow Show, 3. Horton Hears a Who, 4. Reflection, 5. Early Morning Commute

Mark says:

I borrowed one [Voigtlander Vito BL] after having disposed of a Vito B. I’m attracted to these [cameras] because of the beautiful warm colours one gets from the Color Skopar lens …

It is slightly different than other cameras of the era. The one I used had a transport problem. I gave up on the light meter. The linkage between the aperture and the shutter setting that maintains constant exposure is a real pain. The bright finder promises beautifully aligned horizontals and doesn’t deliver. The eccentric film counter is great when I remember its odd operation. This camera is very small. And heavy. I like it.

Digital camera? What’s that? One which is manipulated by one’s fingers? The Vito BL is a modern camera compared to the other ones I carry.

Mark’s hints for using the rigid front Vito B and BL:

  • It is scale focus (”blind focus”), so you have to set the distance to the subject. It gives one a 3-dimensional sense of the picture space, and there is a depth of field scale to help out.
  • If you change the shutter speed, the aperture adjusts in the opposite direction. To set it independently, press 2 tabs on the lens mount.
  • The shutter release doesn’t fire unless a film is advanced, turning the sprocket and cocking the shutter.
  • With 400 ASA film on a partially cloudy day, try 1/300 shutter speed with aperture at f11 to get very crisp negatives.
  • Voigtlander filters and supplementary close-up lenses are often found and are of very high quality. You can thus use the Vito BL to do interesting close-up work, infrared photography, and special effects.

A big thank you to everyone who particpated!

If you have more tips for using the Vito BL that you think may help other photographers please add them in the comments.

Cross processing with the GIMP

Monday, June 16th, 2008

Create a cool green colour effect with curves

Cross processing is something I have started to experiment with. I find I’m drawn to many of these photos on Flickr - the effect can be quite stunning. I uploaded the final cross-processed result of this image to Flickr and it made Explore soon after.
Original sunset image

Here we’ll focus on the green effect you can produce, although you can also adjust your settings for other hues, such as red.

It’s all about the curves

Cross processing can be a very simple GIMP edit if you set and save the RGB colour curves to your GIMP library. You can then re-use the setting again and again with other images. I have a few of these options saved in my GIMP library: one is a general curves adjustment; one boosts each RGB colour channel for retro effects; and now I have a green cross process setting.

Save the setting the first time you use it and it will then be available for future edits.

Auto-levels

In the image above I did a quick auto-levels adjustment Colors -> Levels -> Auto. I played around with the Hue-Saturation and Contrast options but decided to not to use these changes as there is quite a lot of contrast already. It will depend on your image if you need to boost the colour and contrast.

Save your curves setting

Now to the curves. Go to Layer -> Duplicate Layer - a handy option as you can simply delete the layer if you don’t like the results. The settings below are what I have come up with after reading a bagful of articles about cross processing.

Select Color -> Curves and change the individual RGB channels to the settings below:

Red setting

Red

Green setting

Green

Blue setting

Blue

Select Save and name your curves something useful, like Cross Processing - Green. You can use this setting for other images you cross process without having to change the RGB values each time. To access your saved files next time simply go to Color -> Curves -> Open.

Click OK and the image now looks like this:

Curves adjustment

You can also add an almost transparent fill layer of a lime green (to bring out more green) or a fushia (to bring out more red and blue). I’ve decided against a fill layer with this particular image.

Crop and you’re done

I cropped the balcony out of the image which brought more focus to the sky and those gorgeous sunbeams.

Et voila! Click the image to view a larger size in Flickr.

Final image - click for larger size on Flickr

Related cross processing articles

Other examples

It’s interesting to see the various RGB settings that are used and leads me to think I should make save a few more curves settings saved to my library.

Here are some other images I have cross processed - with varying degrees of success.

The Bay x-processed

Cross processed tulip

Broken latch cross processed with lime green fill layer

Do you have any handy cross processing tips?

See also:

Make your images outstanding using iPhoto effects

Wednesday, April 2nd, 2008

iPhoto editing features can make an ordinary photo extraordinary

This is the next installment in the iPhoto series.

One of my cats, Cordelia, agreed to help out with this post. Gorgeous as the subject is, the image is a bit dull; there’s not much color and the background could have been better. And, I unfortunately cut off the tip of her right ear. But she is worthy of rescuing with iPhoto!
Original image

Before I begin I’ll make a copy of the image.

Open the special effects windows

In this iPhoto edit we’ll combine a few special effects features. So, select Edit and open both the Effects and Adjust options.

iPhoto toolbar

Move the special effects windows to either side of the image so you can see the changes as you edit. The editing sliders in the Adjust window are all at the default settings and you should already see the special features from the thumbnails in the Effects window.

Adjust the levels to brighten the image

Adjusting the levels is always my first step when editing. Sometimes a slight levels adjustment is all a photo needs. The left-hand slider controls the darker tones and the right-hand slider controls the lighter tones while the middle slider helps to balance the brightness and shadow. Play around with the settings to see which best suits your image. I moved each slider for this image. I also slightly increased the Exposure (to 0.24) and bumped up the Contrast (to 20)

See the difference these changes have already made. The background is more washed out and Cordelia is more prominent.
Change the levels and exposure and contrast

But, we can do more.

A tiny retouch

In the original photo do you see the tiny blemish under Cordelia’s right eye? It looks like I took the photo before she had finished grooming. Using the Retouch tool, I moved the slider to roughly the size of the blemish and simply clicked over the spot to remove it. Much tidier.

Clean up the image with the retouch tool

OK, let’s adjust those settings.

Add some warmth and saturate the colors

The Temperature slider can cool down or warm up your picture. In this instance, we want a bit of warmth so I moved the slider to the right (set to 6.5). This has changed the colour of her eyes to the correct shade of gold. The picture still needs some more color so I slid the Saturation to the right (up to 61). To remove a bit of the darkness on the fur I moved the Shadow slider up (to 6.1).

Each change is small but significant.

Boost the colours

A crop and a matte finish

Cordelia’s is looking slightly more reddish than she should be (well, she is a Chocolate British Shorthair after all, not a Reddish British Shorthair) so even though her eyes are now a more true to life colour, I added a slight Tint (to 9.8) to tone down the reddish fur and bring out more of the chocolate color.

Now to the Effects window, I selected Matte. Then a slight Crop to finish. Why the crop after the matte and not before? I did try it that way but the crop was too tight and the matte finish covered part of the cat in white. So I added the matte and then did a couple of crops to get it just right. Having said that, the matte does help disguise the fact that the tip of her right ear was clipped.

Et voila!
Final image edited with iPhoto

If you have other iPhoto tips you’d like to share let us know in the comments. If you’d like to write a guest post about using iPhoto then get in touch with me via the Contact Form.

Related posts

Give your photos a retro feel with the GIMP

Saturday, March 29th, 2008

A curves adjustment can dramatically change the look of your photo

I took this photo the other day on my way home from work.Original image of horse

This friendly fellow was hanging about with his horse pals under the tree in the background to the right. That was going to be my composition, some horses crowding into the shadows of the tree to escape the glare of the sun. But as soon as the horses saw me at the fence they decided to come over and say ‘Neigh‘.

I had the camera on auto settings, the only change I made was to set the macro. Being a lovely rural area I wanted to give it a more country feel. The result ended up looking quite ‘retro’. So, “Bring out the GIMP!” and let’s get started.

A quick word about GIMP

I have written previously about the GIMP here. GIMP is similar to Photoshop but it’s free. You can find out more about it and download your own copy at the GIMP Website and there is a manual available at GIMP Documentation. I found the following post extremely useful in downloading GIMP for Mac:

Saturate the colours

The first thing I did was a quick auto-levels adjustment at Colors -> Levels -> Auto. Then I bumped up the saturation at Colors -> Hue-Saturation and moved the saturation slider up to 50.

After saturation

Now for the curves adjustment.

Go crazy with curves

I’m relatively new to curves and have recently been experimenting with the color channels. I followed the advice at Layers magazine on boosting the individual RGB color channels.

See the difference each change makes to the image:

Red color channel

Red color channel

Green color channel

Green color channel

Blue color channel

Blue color channel

Tighten the image with a crop

A quick crop, making sure to keep the fly-away hair of the mane intact.

Final image of horse

Almost done. The image is now too saturated so back to Colors -> Hue-Saturation and move the saturation slider down to -20. Experiment with the different saturation and curves settings for the best results.

Final image of horse

Et voila! Click the image above to view it at a larger size in Flickr.

Save your image

I have been saving the image in the its native GIMP .xcf format and then saving a .jpg copy to load to Flickr. To save it as a .jpg or .png etc go to Image -> Flatten image and then choose File -> Save As …

Related posts

8 simple steps to add your Flickr photos to your blog feed

Thursday, March 20th, 2008

Tart up your blog’s feed with some Flickr photos

Do you use Feedburner for your blog’s RSS feeds? I set up a Feedburner account when I first started Lilahpops but I hadn’t spent much time learning the ins-and-outs of it. A couple of days ago I decided to check my subscriber count and have a bit of a look around. I found this neat optimisation solution which lets you splice your Flickr photostream into your blog feed.

See the screenshot of my feed below. It’s quite easy to see which ones are my website posts and what is streaming from Flickr. As the focus of my website is photography I thought this was quite a neat trick:

Screenshot from my feed reader

Wanna try it?

This is a very simple process:

  • 1. Login to your Feedburner account and select your feed link under Feed Title
  • 2. Select the Optimize tab

Look down the left-hand column at the items under Services. There is a tick next to each service you have applied to your feed. In my feed you’ll see I have BrowserFriendly, SmartFeed and Photo Splicer working so far:

Optimisation option in Feedburner

  • 3. Select the Photo Splicer option
  • 4. Choose Flickr from the Photo Service (Flickr, BuzzNet or Webshots are available)
  • 5. Type in your Flickr ID … don’t know it? Pop over to BigHugeLabs and do a quick search on your username
  • 6. Choose how many photos you want included in your feed (mine is currently set to 5)
  • 7. Click Activate

Activate your Photo Splicer

which will change to:

Photo Splicer is activated

  • 8. Click Save and your done. You can de-activate your selection at any time.

These are the settings I used:
My Photo Splicer options

The update to my feed didn’t change immediately but it didn’t take very long either. Now you have a nice visual treat for your subscribers!

I have to thank Iain from The West Ring for asking me how I got my Flickr photos into my blog feed and giving me the idea for this post.

Have you got any other Feedburner tips? Let me know in the comments.

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